Sunday, October 4, 2020
Thursday, October 1, 2020
Wednesday, September 9, 2020
nd in the in the world of contemporary art. An African American artist known for her work in the medium of assemblage, Saar is a visual storyteller and an accomplished print maker. She is known best for her incisive collages and assemblage sculptures that confront and reclaim racist images.
Wednesday, August 12, 2020
Wednesday, August 5, 2020
|Take Care of Each Other, Kings Theater Brooklyn|
Installed in the museum's rear courtyard located at West 76th Street between Central Park West and Columbus Avenue, the exhibition also includes a quiet seating area, surrounded by plants where visitors can record their own experiences of the pandemic in an open aided story booth. These oral histories will be archived by the New York Historical Society.
Admission to HOPE WANTED is FREE, but access is limited, and face masks are required for
entry, with social distancing enforced through time entry tickets and on-site safety measures. Tickets are available online at nyhistory,org/hopewanted. The exhibition will be open on Thursdays 11 am-5pm for visitors 65+ and to the general public on Fridays from 10 am - 8 pm and Saturdays and Sundays from 11 am-5pm. Audio interviews are accessible to visitors though their cell phones, and exhibition text and audio are offered in both English and Spanish.
|TIMES SQUARE during Pandemic|
Hickman's empathetic photographs of people and their neighborhoods across all five boroughs and Powell's searching interviews capture both the tragedy of the pandemic as well as the remarkable resilience of New Yorkers---like "Mama Tanya" Fields, an activist and urban famer whose whole family contracted coronavirus, pictured smiling with her six children in the hallway in her Bronx home and photographed on their balcony and in the middle of the street in Queens, Mark Zustovich and Melton Sawyer shar that "self-care has taken anew meaning for us in this era of COVID-19.
"Our goal with HOPE WANTED is to honor and celebrate the strength of New Yorkers," said Dr. Louise Mirrer, president and CEO of New York Historical. "We hope this exhibition can offer our visitors a moment of solace to reflect on what they and the city as a whole have experienced in recent months and to better understand this moment in time. We look forward to welcoming everyone back to the New York Historical Society."
HOPE WANTED is part of All in NYC, Public Art Exhibition, showcasing dozens of programs across the city, and initiative launched by NYC and Company. The New York Historical Society is located at 170 Central Park West at Richard Gilder Way (77th Street) New York, NY 10024. Follow the museum on social media at @nyhistory on Facebook, Twitter, Instagram, YouTube, and Tumblr
Sunday, August 2, 2020
that within the wrought iron walls of American cemeteries, beneath the oak trees and glorious tombs here you will find a sacred space to escape the cacophony of the city.
|Tranquility Garden Koi Pond Green-Wood|
Like the Victorians, though picnics are not encouraged, today we can find sanctuary in a cemetery for these places offer sacred spaces where one can find serene serenity and only the gentle wind will caress your face. Although I am writing about Green-Wood Cemetery, just about any park-like cemetery with magnificent ancient trees, winding paths and wild flowers might be more convenient, because Green-Wood Cemetery is located in Brooklyn, New York.
Wherever your destination for contemplation or meditation, I suggest that like any other outdoor excursion, that you bring a bottle of water. In some instances you may find a bench which may at one time welcomed the bereaved and now may serve to accommodate your visit. So sit down and center yourself and release the cares of the day that are shouldering your thoughts and weighting you down. Breathe in the clean un-polluted air and clear your mind for a refreshing meditation that releases you from the mind wrenching grip of the city.
|Green-Wood Cemetery Winding Path|
equilibrium and emerge refreshed and inspired.
And you will be in good company, too. Among the permanent notables are baseball legends, politicians, artists, entertainers and inventors. Leonard Bernstein. Louis Comfort Tiffany, whose stained glass adorns many tombs, the artist Jean-Michel Basquiat rests there as do many other celebrities of stage and screen and prominent families including the Roosevelts.
Green-Wood's spectacular acres of hills, valleys, glacial ponds and paths presents four seasons of beauty from century and a half old trees and the largest outdoor collections of 19th and 20th-century statuary and mausoleums.
You will be in good company among the permanent residents who will not disturb your
privacy or deep thinking meditation.
|Fort Hamilton Gatehouse Green-Wood|
ARTIST-in-RESIDENCE PROGRAM. One artist will have the opportunity to create in Green-Wo0d's Fort Hamilton Gatehouse, using Green-Wood's landmarked cemetery as their muse.
Applications remain open through September 2. 2020. It's an extraordinary opportunity for emerging or mid-career artists in the visual or performing arts. The nine-month residency will run from January through September2021. The selected artist will be provided with a $7,500 honorarium, a private studio space in the Gatehouse, and access to the cemetery's professional staff and archives, and historical collections. For further information please contact: firstname.lastname@example.org.
In conclusion: Green-Wood Cemetery is located at 500 25th St., Brooklyn, NY 11232, www.green-wood.com. It is a NYC National Landmark and is listed in the National
Registry of Historic Places
Wednesday, March 11, 2020
LOCATION/LOCATION: Set in a former opera house in Midtown Manhattan, with the stage innovatively re-envisioned as a dance floor, Studio 54 became a space of sexual, gender, and creative liberation, where every patron could feel like a star.
Studio 54's cutting edge décor and state-of-the-art sound and lighting systems set it apart from other nightclubs of the time, attracting artists, fashion designers, musicians, celebrities whose visits were vividly chronicled by notable photographers.
Although it was open for only three years---April 26, 1977 to February 2, 1980---Studio 54 was arguably the most iconic nightclub to emerge in the twentieth century. Set in a former opera house in Midtown Manhattan with the stage innovatively re-envisioned as a dance floor, Studio 54 became a space to be seen and to mingle among the multiple personalities of stage, screen and celebrity. STUDIO 54 has come to represent the visual height of disco-era America: glamorous people in glamorous fashions, surrounding by gleaming lights and glitter dancing the night into dawn away in a magical night.
STUDIO 54 was founded in 1977 by Brooklyn-born entrepreneurs Ian Schrager and Steve Rubell, who met while students at Syracuse University. They had dreams of opening of opening a nightclub in in the center of New York City, where roller-skating rings, Black and Latinx dance culture, and gary underground were gaining popularity.
Sant'Angelo were frequently present. Image: Celebrity visitors: Jerry Hall, Andy Warhol, Debbie Harry, Truman Capote, and Paloma Picasso at Studio 54 in New York City. Photo: Getty Images.
The design of th exhibition itself is inspired by SUDIO 54's original lighting and features innovative sets and audio elements that highlight the popular music and film of the era---including chart-topping songs like "Le Freak" famously written after the band Chic was denied entry to the nightclub's 1977 New Year's eve party, and "I Will Survive," Gloria Gaynor's B side that became an anthem after it was championed by Studio 54 DJ Richie Kaczor. STUDIO 54 IS A TIMED TICKET EXHIBIITON. The Brooklyn Museum, 290 Eastern Parkway. 718-638-5000. 8www.brooklynmuseum.org.
Ta Ta Darlings! Let's wear some outrageous outfit and trip over to the Brooklyn Museum
where vicarious thrills of a bygone era will ignite STUDIO 54: NIGHT MAGIC once again.
Fan mail welcome email email@example.com
Monday, March 9, 2020
. THE NATURE OF COLOR, which opens today at The American Museum of Natural History, simutaneously celebrates its 150th anniversary. The museum demystifies the meaning and influence of color , with a new interactive exhibition that lets visitors explore the role and the power ot color in the natural world, in human cultures, and in our personal lives. It's vibrant, it's entertaining, and answers questions that stir up our emotions as we learn: Why do colors make us happy, while others make us, well blue? How did pink come to be associated with femininity in Western culture and blue become America's favorite color? This fun, family-friendly exhibition resonates with all the child-like wonder of discovery. It is immersed in color themes with models, cultural objects, interactive exhibits that invite visitors to play, experiment and explore the science of color, how colors make us feel, and how plants and animal use color to help them survive and reproduce.
|Interactive Color Paytime|
blend with dried leaves and tree bark. Color is just as important in the plant world, where pollinators get cues on which flowers to visits based on the color. Humminbirds, for example, prefer red flowers, bees are attracted to blue, moths seek white and other light-colored blossoms, and flies are drawn to dark flowers. PHYSICS OF COLOR explores the physics of color in an immersive color-changing room and a ight lab with hands-on activities to discover that white light is actually a mixture of colors, play a video interactive---on kiosks or from their mobile devices---that examine how colors affect emotions and "paint" without the mess in a floor to ceiling color play interactive just by moving
marketers choose colors carefully, as consumers often make up their minds based on color alone. An example, BLUE is the most popular color for corporate logos, as this color is often associated with trustworthiness and competence. In this section visitors will explore the different feelings colors can evoke by arranging colored tiles to create pleasing or clashing combinations and share their personal reactions to colors on a big screen. MAKING COLOR: The Nature of Color explores the rich history of BLUE PIGMENTS in particular, with objects from the Museum's anthropological collection and an interactive that will demonstrate the process of dying indigo fabric. Natural indigo has been used o create some of the blue hues of Japanese artwork, African textiles, and the first blue jeans.
Ta Ta Darlings. THE NATURE OF COLOR resonates with interest for everyone with exploration and entertainment whilst demystifying the colors in our daily life. Fan mail always
Monday, March 2, 2020
This is the first in-depth exhibition in the United States to examine her total oeuvre with
200 works, including never before exhibited furniture, lacquer works, architectural drawings and archival material. Gray's long and distinguished career began in the early 1900s and continued until her death in 1976. On view are rarely seen architectural drawings and photographs of Gray's most famous house, E 1027, and other architectural projects. EILEEN GRAY was a pioneer in modern design and architecture, and one of the few women to practice professionally in those fields before WWII. Although she was born into a distinguished household in Ireland Gray remained steadfast to her creativity at first in London and later in Paris. By 1910 Gray and fellow schoolmate Evelyn Wyld, established a workshop to produce carpets and wall hangings. Gray's interest in Japanese lacquer forged an alliance with Japanese craftsman Seizo Sugawara with whom she formed a successful partnership, and Gray's lacquer screens attest to her achievement as a superb lacquer artist.
|Eileen Gray Dresser|
From the 1920s Gray produced architectural projects for private the public commissions. In 1926 she started work on a new holiday home near Monaco on the French Riviera where she
planned to live with her lover the Romanian architect, Jean Badovici. Together, they experimented with ideas about modern, vernacular architecture, and worked on Architecture Vivante, one of the first French magazines devoted exclusively to architecture. The construction of thei house took three years was named E 1027, a code for the lovers' names.
|E 1027 Above the Bay of Monaco|
The exhibition reveals Gray's versatility as a designer of many types of furniture including the Bibendum chair which resembled the Michelin man with tube-like shapes sitting on a chromed steel frame. GALLERY PROGRAMS and EXHIBITION TOURS and for information about hours and admission visit: bgc.bard.edu/gallery.
Ta Ta Darlings!!! Eileen Gray is as modern today as she was in the Art Deco era. Her designs
resonate with collectors and new buyers discovering her today will find her furniture a perfect fit in modern interiors. Fan mail weleome: firstname.lastname@example.org
Monday, February 24, 2020
Monday, February 17, 2020
THE ORCHID SHOW, Jeff leatham's Kaleidoscope at the New York Botanidal Garden: Review by Polly Guerin
Leatham's captivating designs and installations have transformed each gallery of the exhibition, in NYBG's historic Enid A Haupt Conservatory, into a different color experience, like the turn of a kaleidoscope.
THE ORCHID SHOW: JEFF LEATHAN'S KALEIDESOPE, on display through April 19, 2020, invites you to get out of the chill of winter and be greeted by purple verandas suspended above a 10-foot-tall mirrored orchid sculpture with a fountain of water streaming into a black pool. Other galleries and spaces of the exhibition, each designed in its own color
scheme, include plantings of green and white cymbidiums aid grasses, yellow orchid arches, and a kaleidoscope of
"Color is the first and most important aspect of my work, always," Jeff Leatham said when describing his creations for THE ORCHID SHOW. "I want every gallery to be a different color experience for visitors as they move from through them, like looking into a kaleidoscope. I loved kaleidoscopes as a child. You start dreaming as you look through one. People have seen the interiors of the conservatory already, but with this exhibition, I want them to look through them like never before."
ABOUT THE DESIGER: Jeff Leatham has been creating a sensation with his floral installations since he began his career in 1995. His work is a combination of his love for flowers and passion for design Leatham has produced spectacular displays in Paris for nearly two decades and among his accolades in 2014 he was knighted with The Order des Arts et des Lettres---the highest honor for artists and others who have made a significant contribution to French culture. His client list includes the most celebrated movie stars and personalites. His books remain best welling design books worldwide.
www.nybg.org/event/the-orchid-show/orchid evenings/ for more details.
Other exhibition programming includes Orchid Basics Q&A Saturdays and Sundays, 1-4 p.m. at the NYBG Shop where staff help customers select the best orchid for the home, and Orchid Care Demonstrtions on Sundays at 1 and 2 p.m. in the Haupt Conservatory GreenSchool where orchid experts provide advice on how to choose and successfully grow these elegant plants. FOR MORE INFORMATION ABOUT THE ORCHID SHOW: JEFF LEATHAM'S KALEIDOSCOPE and to purchase tickets visit: nybg.com.
Ta Ta Darlings! Nothing like taking a color immersion to inspire and warm up our imagination
in Leatham's kaleidoscope world of wonder and fascination. Please send your comments and
fan mail to email@example.com.
Monday, February 10, 2020
The MORGAN MUSEUM & LIBRARY is the first institution in New York City to present a selection of these works in the exhibition, JEAN-JACQUES LEQUEU: VISIONARY ARCHITECT, through May 10, 2020. Some sixty of Lequeu's several hundred drawings are now on view in the first museum retrospective to bring significant public and scholarly attention to one of the most imaginative architects of the Enlightenment. IMAGE: Jean-Jacaues Lequeu (1757-1826) HE IS FREE, 1798-1799. Pen and black ink, brown and red wash. Bibilotheque nationale de France, Department des Estampes et de la photographie. A semi circular niche from which a nude woman leans out to free a songbird.
Lequeu's brilliant career was upended by historical
He was born during the reign f Louis XV and was witness
to the death throes of the ancient regime, the upheavals of the new order established under Napoleon's Empire. His work created in solitude, and fueled by self-study, reflects his troubled times and his vision of architecture that defied
academic boundaries. The exhibition is accompanied by a 192-page hardcover volume in French. The publication provides unique insight into an extraordinary time, and allows the reader to follow Lequeu on the his obsessive and solitary course.
|Tomb of lsocrates|
TA TA DARLINGS!!! It's amazing how solitary work can produce such unique renderings
of imagined architecture and with such draftsmanship finesse. Don't miss this exhibit, It's a thrilling adventure into the realm of fantasmagorical imagination.
Fan mail welcome at pollytaknyc.gmail.com.
Monday, February 3, 2020
Alfred Jarry's remarkable and innovative body of work is presented in the first major United States exhibition at the Morgan Library and Museum though May 10, 2020. Jarry was a multifaceted creative force unto himself. He was a puppeteer, a critic, a novelist, an artist and a bicycle fanatic. His works suggested that technology, popular imagery, and the performance of everyday life could constitute works of art. Jarry's statement that "living was the carnival of being," embodies his anti-authoritarianism and subversive theatricality expressed in being larger than life itself in excess, wordplay, alter egos, and the unfettered imagination. Since his death in 1907, Jarrry's eclectic works and ideas have continued to
|Les minutes de sable memorial|
The exhibition considers some of Jarry's many innovations by his engagement with printed matter and the graphic arts. On of the first writers to experiment with visual typography, Jarry forged new relationships between image and text in the experimental approaches to book and magazine design. His use of assembling anachronism, collage, and appropriation are bellwethers of modern and contemporary practices. Image: Alfred Jarry (1873-1907). Les minutes de sable memorial (Paris: Mercure de France, 1894). The Morgan Library & Museum gift of Robert J and Linda Klieger Stillman, 2017. PML 197917 . Photograph by
Janny Chu. Drawing primarily on the Stillman's collection, the exhibition is contextualized with other objects in the Morgan's collections as well as loans from private and institutional lenders, comprising manuscripts, drawings, photographs and ephemera. Paintings and prints by figures in Jarry's circle, such as Henri Rousseau, Pierre Bonnard, and Henri de Toulouse-Lautrec are also featured.
|Alfred Jarry" Ubu roi"|
others. Gallery Talks, Readings and Performances including a Symposium, Alfred Jarry: Paraphysicist and Prophet on Saturday, April 25th. For more information about the exhibition visit www.themorgan.org.
Ta Ta Darlings!!! Alfred Jarry accomplished an astonishing body of work in his short life.
THE CARNIVAL OF BEING will jolt your creative juices, visit the Morgan's celebration of the iconoclast Alfred Jarry. Fan mail welcome at firstname.lastname@example.org.
Sunday, February 2, 2020
Avenue at 90th Street. Tickets are available on EVENTBRITE, www.canterburychoral.org/tickets or at the Door, $25 General Admission, $20 Seniors and $l0 Students with ID.
With a stellar vocal cast and conductor Jonathan
De Vries leading, the Canterbury Choral Society presents Toward and Unknown Region, Dona Nobis
Pacem, Sancta Civitas and the piano Concerto in C
with concert pianist, Steven Graff.
This is a rare and delightful opportunity to hear Vaughan Williams' masterful works as he is among the best known British symphonists and his large scale choral pieces soar to the heights of musical achievement.
|Jonathan De Vries|
In addition to fulfilling the Canterbury Choral Society's mission to revive and present important music, conductor and artistic director De Vries is a multifaceted artist. He is also affiliated with the Upper School Choral and is Musical Theater Director of the Greenwich County Day School in Greenwich, Connecticut.
Soloists include a stellar cast with soprano, Hannah Spierman who has appeared in major roles with Canterbury Choral Society on numerous occasions, and has been Soprano One Section Leader since 2017.
Tenor Blake Friedman returns to the spotlight. He sang most recently in the Canterbury Choral Society, November 2019 production of J S Bach's Christmas Oratorio. His voice has been cited by the New York Times for its "plummy fullness and dusky hue.: He has been heard in performances at Chautauqua Opera singing the role of Almaviva in both Il Barbiere de Siviglia by Rossini and The Ghost of Versailles by John Congliano.
The third soloist, Robert Balonek has been praised by Opera News as having a "commanding, steely baritone and a direct crystal clear delivery." Among his many credits, last season he performed in the Canterbury Choral Society's revival of Ariani's Oratorio di San Francesco.
The Canterbury Choral Society looks forward to presenting the Vaughan Williams Festival.
Be there, are in for a most inspiring and entertaining afternoon.
Monday, January 27, 2020
|UNRIVALED Hispanic Society Museum and Library|
|Elle Shushan Exhibitor|
TA TA DARLINGS!!! THE WINTER SHOW is owned and produced by East Side House Settlement a community-based organization serving the Bronx and Northern Manhattan. Visit
eastsidehouse.org to learn more. The Winter Show, 2020, is a breathtaking experience, not only
the antiques, but the decorative arts and a gentle sweep into modernism gives it an upbeat flair
that is refreshing and inviting to everyone. Fan mail to: email@example.com.
Monday, January 20, 2020
|Diego Rivera UPRISING 1930|
VIDA AMERICANA: MEXICAN MURALISTS REMAKE AMERICAN ART 1925-1945 at the Whitney Museum will be on view from February 17 to May 17, 2020 in a stunning exhibition that will reveal the profound impact of Mexico's three leading muralists---Jose Clemente Orozco, David Alfaro Siqueiros, and Diego Rivera---on the style and subject matter of art in the United States during 1925-1945 With more than 200 works by more than 60 Mexican and American artists showcases the influences of Mexican artists on American counterparts.
The murals and easel paintings that will be on display will be on loan from Mexico, Japan, Argentina, and the
|Orozco's BARRICADA 1931|
refused to remove a likeness of Vladimir Lenin from the composition. Borrowed from Mexico City's Museo
Anahuacalli, the two sketches will be exhibited in the United States for the first time, Other artists represented include Maria Izquierdo's My Nieces (1940) and Siqueiros's Proletarian Mother (1929) on loan from the Museo Nacional de Arte, and two paintings by Japanese-born artist Eitaro Ishigaki, on loan from Japan' Museum of Modern Art in Wakaayama. Image: Jose Clemente Orozco's Barricada 1931 Artist Rights Society (ARS) New York SOMAA Mexico City image (c) The Museum of Modern Art/Licensed by SCALA Art Resources, New York. The Whitney's ongoing initiative to improve access for Spanish-speaking visitors include a number of resources in both English and Spanish. A family guide will feature texts and in-gallery activities. The Whitney also announced plans including a full-day symposium featuring artists, curators, educators and scholars presenting new perspectives on the role of Mexican Muralists in the United States. For further details contact www.whitney.org. COMMUNITY AND ACCESS
|Alfredo Ramos Martinez CALLA LILLY VENDOR|
Monday, January 13, 2020
|Self-Portrait Asleep in a Tomb of Mereruka Sakkara|
|A Letter From My Father 1960-1975|
|A Story About A Story 1989|