Bull. Cannes, 1958 |
Picasso loved some of his
sculptures so much that during his lifetime he kept many of them in his home,
living among them as if they were family members. Now MoMA has brought them to
New York in the largest exhibition of the Spaniard’s three-dimensional works
spanning the years 1902-2016.
That’s
what makes Picasso Sculpture, the exhibition at The Museum of Modern Art, a
once-in-a-lifetime event, not to be missed, and some rare and wonderful
ceramics also dominate the show. The exhibition opens today, September 14 and
has an extended run through to February 7, 2016.
This
is the largest museum presentation of Picasso sculptures to take place in the
United States and fills the museum’s entire fourth floor galleries allowing
sufficient space to view the sculptures fully in the round. The exhibition
brings together approximately 140 sculptures from Picasso’s entire career via loans
from major public and private collections and includes 50 sculptures on loan
from the Museee Picasso in Paris.
Still Life with Guitar |
Of special note,
in the second gallery, is the cardboard Guitar, a humble still life that
employs the simple craft of cutting, folding and threading. This fragile
sculpture reveals how Picasso, at this time unschooled in sculpture construction,
used paperboard, paper, thread, string, twine and coated wire to create this work.
Picasso’s
monument for the tomb of the poet and critic Guillaume Apollinaire, who had died
in 1918, may have been rejected at the time, but his complex works of welded
metal, realized in collaboration with the sculptor Julio Gonzales, can best be
described as Metamorphosis I and II, which Picasso’s art dealer, Daniel-Henry
Kahnweiler, christened “drawings in space.”
Beginning
in 1933, began Picasso’s foray into collecting discarded everyday and materials
objects to incorporate into such works as Head of a Warrior (1933) whose eyes
began as tennis balls. He started imprinting plaster with found objects. The
narrow ridges of corrugated cardboard, for example, served to articulate the
drapery of Woman with Leaves and the Orator.
Vase Woman: Vallauris |
After
the liberation of Paris, Picasso renewed contact with the French Riviera and visited
the ceramic workshop of George and Suzanne Ramie in the town of Vallauris and
began to experiment in the ancient medium. He bought an abandoned perfume
factory, which he converted to a studio and began making a series of
assemblages created from a vast array of found objects. His most whimsical. He
painted with glaze on ceramics in the shape of figures and animals.For further
information. MoMA 212.708.9400, www.moma.org.
Ta Ta Darlings!!! Picasso never fails to amaze...don't miss this show. Fan mail welcome at pollytalknyc@gmail.com. Visit Polly's Blogs at www.pollytalk.com and click on the links in the left-hand column.
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